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Create a Realistic 3D Velociraptor: A Complete Workflow Guide with Blender and Substance Painter
Create a Realistic 3D Velociraptor: A Complete Workflow Guide with Blender and Substance Painter
Create a Realistic 3D Velociraptor: A Complete Workflow Guide with Blender and Substance Painter
Learn how to create a realistic 3D Velociraptor, from scratch to the final render, using Blender and Substance Painter.
Learn how to create a realistic 3D Velociraptor, from scratch to the final render, using Blender and Substance Painter.
Learn how to create a realistic 3D Velociraptor, from scratch to the final render, using Blender and Substance Painter.
The first complete course for creating feathered creatures in Blender.
The first complete course for creating feathered creatures in Blender.
The first complete course for creating feathered creatures in Blender.
Audio Language: Portuguese
Subtitles: English, Spanish, French, Italian, Dutch, German, Portuguese.
Audio Language: Portuguese
Subtitles: English, Spanish, French, Italian, Dutch, German, Portuguese.
Audio Language: Portuguese
Subtitles: English, Spanish, French, Italian, Dutch, German, Portuguese.
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ABOUT THE CONTENT
ABOUT THE CONTENT
ABOUT THE CONTENT
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Creating 3D plumage is truly challenging. There's little available material showing how to do it. Generally, there are random tutorials that don't show you everything you need. With the experience gained during my journey as a 3D artist (and paleoartist), I was able to develop a method for creating the plumage of my creatures using Blender, an incredible and powerful software, in conjunction with Substance Painter, considered by many to be the best texturing software on the market.
In this complete course, you will be guided through the entire creation process, from scratch to the final render.
This course is ideal for 3D artists and paleoartists who want to improve their skills and understand the complete workflow for developing feathered creatures.
* ATTENTION: To make the most of this course, it is important that you already have at least a basic level of proficiency with Blender and a computer that can comfortably handle both software programs (Blender and Substance Painter).
Creating 3D plumage is truly challenging. There's little available material showing how to do it. Generally, there are random tutorials that don't show you everything you need. With the experience gained during my journey as a 3D artist (and paleoartist), I was able to develop a method for creating the plumage of my creatures using Blender, an incredible and powerful software, in conjunction with Substance Painter, considered by many to be the best texturing software on the market.
In this complete course, you will be guided through the entire creation process, from scratch to the final render.
This course is ideal for 3D artists and paleoartists who want to improve their skills and understand the complete workflow for developing feathered creatures.
* ATTENTION: To make the most of this course, it is important that you already have at least a basic level of proficiency with Blender and a computer that can comfortably handle both software programs (Blender and Substance Painter).
Creating 3D plumage is truly challenging. There's little available material showing how to do it. Generally, there are random tutorials that don't show you everything you need. With the experience gained during my journey as a 3D artist (and paleoartist), I was able to develop a method for creating the plumage of my creatures using Blender, an incredible and powerful software, in conjunction with Substance Painter, considered by many to be the best texturing software on the market.
In this complete course, you will be guided through the entire creation process, from scratch to the final render.
This course is ideal for 3D artists and paleoartists who want to improve their skills and understand the complete workflow for developing feathered creatures.
* ATTENTION: To make the most of this course, it is important that you already have at least a basic level of proficiency with Blender and a computer that can comfortably handle both software programs (Blender and Substance Painter).
English: Intellectual Property Notice: All course content is protected by copyright laws. Downloading, recording, copying, or sharing any material without prior authorization is strictly prohibited. Non-compliance will result in legal action and immediate loss of access.
Español: Aviso de Propiedad Intelectual: Todo el contenido de este curso está protegido por las leyes de derechos de autor. Queda estrictamente prohibido descargar, grabar, copiar o compartir cualquier material sin autorización previa. El incumplimiento dará lugar a acciones legales y al bloqueo inmediato del acceso.
Português: Aviso de Propriedade Intelectual: Todo o conteúdo deste curso é protegido por leis de direitos autorais. É terminantemente proibido baixar, gravar, copiar ou compartilhar qualquer material sem autorização prévia. O descumprimento sujeitará o infrator a medidas judiciais e bloqueio imediato do acesso.
English: Intellectual Property Notice: All course content is protected by copyright laws. Downloading, recording, copying, or sharing any material without prior authorization is strictly prohibited. Non-compliance will result in legal action and immediate loss of access.
Español: Aviso de Propiedad Intelectual: Todo el contenido de este curso está protegido por las leyes de derechos de autor. Queda estrictamente prohibido descargar, grabar, copiar o compartir cualquier material sin autorización previa. El incumplimiento dará lugar a acciones legales y al bloqueo inmediato del acceso.
Português: Aviso de Propriedade Intelectual: Todo o conteúdo deste curso é protegido por leis de direitos autorais. É terminantemente proibido baixar, gravar, copiar ou compartilhar qualquer material sem autorização prévia. O descumprimento sujeitará o infrator a medidas judiciais e bloqueio imediato do acesso.
English: Intellectual Property Notice: All course content is protected by copyright laws. Downloading, recording, copying, or sharing any material without prior authorization is strictly prohibited. Non-compliance will result in legal action and immediate loss of access.
Español: Aviso de Propiedad Intelectual: Todo el contenido de este curso está protegido por las leyes de derechos de autor. Queda estrictamente prohibido descargar, grabar, copiar o compartir cualquier material sin autorización previa. El incumplimiento dará lugar a acciones legales y al bloqueo inmediato del acceso.
Português: Aviso de Propriedade Intelectual: Todo o conteúdo deste curso é protegido por leis de direitos autorais. É terminantemente proibido baixar, gravar, copiar ou compartilhar qualquer material sem autorização prévia. O descumprimento sujeitará o infrator a medidas judiciais e bloqueio imediato do acesso.
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CHAPTERS:
CHAPTERS:
CHAPTERS:
STEP 01 - BLOCKING
STEP 01 - BLOCKING
STEP 01 - BLOCKING
Initial stage where we will create the basic structure of the dinosaur using simple objects to define proportions and silhouette before adding details.
Initial stage where we will create the basic structure of the dinosaur using simple objects to define proportions and silhouette before adding details.
Initial stage where we will create the basic structure of the dinosaur using simple objects to define proportions and silhouette before adding details.
STEP 02 - BASEMESH
STEP 02 - BASEMESH
STEP 02 - BASEMESH
Let's sculpt the main volumes, without worrying about details.
Let's sculpt the main volumes, without worrying about details.
Let's sculpt the main volumes, without worrying about details.
STEP 03 - RETOPOLOGY
STEP 03 - RETOPOLOGY
STEP 03 - RETOPOLOGY
In this chapter, we will reconstruct the surface of the 3D model to create a mesh with optimized topology.
In this chapter, we will reconstruct the surface of the 3D model to create a mesh with optimized topology.
In this chapter, we will reconstruct the surface of the 3D model to create a mesh with optimized topology.
STEP 04 - UV MAPPING
STEP 04 - UV MAPPING
STEP 04 - UV MAPPING
You will understand the concept of UV mapping and learn about the two methods: traditional and UDIM. We will unpack the UVs from the model for the next steps.
You will understand the concept of UV mapping and learn about the two methods: traditional and UDIM. We will unpack the UVs from the model for the next steps.
You will understand the concept of UV mapping and learn about the two methods: traditional and UDIM. We will unpack the UVs from the model for the next steps.
STEP 05 - TEETH AND CLAWS
STEP 05 - TEETH AND CLAWS
STEP 05 - TEETH AND CLAWS
I'll show you an easy method for creating teeth and claws for your 3D models.
I'll show you an easy method for creating teeth and claws for your 3D models.
I'll show you an easy method for creating teeth and claws for your 3D models.
STEP 06 - SCULPTING
STEP 06 - SCULPTING
STEP 06 - SCULPTING
In this step, we'll sculpt the fine details of the Velociraptor (such as scales, folds, and wrinkles) using Blender's Sculpt mode.
In this step, we'll sculpt the fine details of the Velociraptor (such as scales, folds, and wrinkles) using Blender's Sculpt mode.
In this step, we'll sculpt the fine details of the Velociraptor (such as scales, folds, and wrinkles) using Blender's Sculpt mode.
STEP 07 - BAKING
STEP 07 - BAKING
STEP 07 - BAKING
I'll show you some techniques for generating Bake images of the main maps (Normal, displacement, curvature, cavity) within Blender, resulting in a low-poly model, but with all the details of a high-poly model.
I'll show you some techniques for generating Bake images of the main maps (Normal, displacement, curvature, cavity) within Blender, resulting in a low-poly model, but with all the details of a high-poly model.
I'll show you some techniques for generating Bake images of the main maps (Normal, displacement, curvature, cavity) within Blender, resulting in a low-poly model, but with all the details of a high-poly model.
STEP 08 - TEXTURING
STEP 08 - TEXTURING
STEP 08 - TEXTURING
In this chapter, I will show you a way to generate Bake and texture your model using Adobe Substance Painter, one of the best texturing software programs currently available.
In this chapter, I will show you a way to generate Bake and texture your model using Adobe Substance Painter, one of the best texturing software programs currently available.
In this chapter, I will show you a way to generate Bake and texture your model using Adobe Substance Painter, one of the best texturing software programs currently available.
STEP 09 - EYES AND NICTITATING MEMBRANE
STEP 09 - EYES AND NICTITATING MEMBRANE
STEP 09 - EYES AND NICTITATING MEMBRANE
You will learn how to create the eyes and nictitating membranes for your dinosaurs. We will create the basemesh, sculpt, and bake the eyes, resulting in beautiful eyes for your 3D models.
You will learn how to create the eyes and nictitating membranes for your dinosaurs. We will create the basemesh, sculpt, and bake the eyes, resulting in beautiful eyes for your 3D models.
You will learn how to create the eyes and nictitating membranes for your dinosaurs. We will create the basemesh, sculpt, and bake the eyes, resulting in beautiful eyes for your 3D models.
STEP 10 - FEATHERS
STEP 10 - FEATHERS
STEP 10 - FEATHERS
Here's the cherry on top. I'm going to show you some of the best techniques I use to create feathers for my feathered creatures. I'll show you how to create the feathers (and variations) using Blender's Geometry Nodes presets. We'll also add colors using Krita. Finally, you'll learn how to set up a material that mimics the look of real-life feathers.
Here's the cherry on top. I'm going to show you some of the best techniques I use to create feathers for my feathered creatures. I'll show you how to create the feathers (and variations) using Blender's Geometry Nodes presets. We'll also add colors using Krita. Finally, you'll learn how to set up a material that mimics the look of real-life feathers.
Here's the cherry on top. I'm going to show you some of the best techniques I use to create feathers for my feathered creatures. I'll show you how to create the feathers (and variations) using Blender's Geometry Nodes presets. We'll also add colors using Krita. Finally, you'll learn how to set up a material that mimics the look of real-life feathers.
STEP 11 - PLUMAGE - GEOMETRY NODES
STEP 11 - PLUMAGE - GEOMETRY NODES
STEP 11 - PLUMAGE - GEOMETRY NODES
Creating beautiful feathers isn't enough. We need to create functional plumage. To do this, you'll learn how to create a plumage system using GN, which makes the process much easier and faster compared to Blender's old particle system, commonly used for plumage. Furthermore, it's a very lightweight setup.
Creating beautiful feathers isn't enough. We need to create functional plumage. To do this, you'll learn how to create a plumage system using GN, which makes the process much easier and faster compared to Blender's old particle system, commonly used for plumage. Furthermore, it's a very lightweight setup.
Creating beautiful feathers isn't enough. We need to create functional plumage. To do this, you'll learn how to create a plumage system using GN, which makes the process much easier and faster compared to Blender's old particle system, commonly used for plumage. Furthermore, it's a very lightweight setup.
STEP 12 - RIGGING
STEP 12 - RIGGING
STEP 12 - RIGGING
In this step, I'll show you a simple alternative for creating your dinosaur rig. There are many types of rigs (from the most basic to the super advanced), but the goal of this course is to create an easy rig for everyone, yet functional for creating your poses. (Check out the demonstration video on my YT channel).
In this step, I'll show you a simple alternative for creating your dinosaur rig. There are many types of rigs (from the most basic to the super advanced), but the goal of this course is to create an easy rig for everyone, yet functional for creating your poses. (Check out the demonstration video on my YT channel).
In this step, I'll show you a simple alternative for creating your dinosaur rig. There are many types of rigs (from the most basic to the super advanced), but the goal of this course is to create an easy rig for everyone, yet functional for creating your poses. (Check out the demonstration video on my YT channel).
BONUS LESSONS AND CHAPTERS
BONUS LESSONS AND CHAPTERS
BONUS LESSONS AND CHAPTERS
During your learning process, keep an eye on platform updates and our social media channels, as bonus lessons will be added monthly. In the first bonus chapter, you will learn how to create a render with an infinity background to showcase the results of your work on your social media and portfolios.
During your learning process, keep an eye on platform updates and our social media channels, as bonus lessons will be added monthly. In the first bonus chapter, you will learn how to create a render with an infinity background to showcase the results of your work on your social media and portfolios.
During your learning process, keep an eye on platform updates and our social media channels, as bonus lessons will be added monthly. In the first bonus chapter, you will learn how to create a render with an infinity background to showcase the results of your work on your social media and portfolios.
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Who are we?
Who are we?
Who are we?
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Hi, my name is Kelvin. I've been a 3D artist for over 10 years. Since then, I've been running Kelvin Art Studio.
It all started when we combined our passion for creatures and environments with the incredible tools of 3D. It's rewarding to be able to create beings and places that we can't see in real life, thus breaking down the barriers of imagination.
In the studio, we work on creating characters, environments, and assets, in addition to offering online consulting and mentoring*.
*(currently available only in Portuguese).
Hi, my name is Kelvin. I've been a 3D artist for over 10 years. Since then, I've been running Kelvin Art Studio.
It all started when we combined our passion for creatures and environments with the incredible tools of 3D. It's rewarding to be able to create beings and places that we can't see in real life, thus breaking down the barriers of imagination.
In the studio, we work on creating characters, environments, and assets, in addition to offering online consulting and mentoring*.
*(currently available only in Portuguese).
Hi, my name is Kelvin. I've been a 3D artist for over 10 years. Since then, I've been running Kelvin Art Studio.
It all started when we combined our passion for creatures and environments with the incredible tools of 3D. It's rewarding to be able to create beings and places that we can't see in real life, thus breaking down the barriers of imagination.
In the studio, we work on creating characters, environments, and assets, in addition to offering online consulting and mentoring*.
*(currently available only in Portuguese).
G U A R A N T E E
G U A R A N T E E
G U A R A N T E E
____________________________________________________________________________________________________________________________
____________________________________________________________________________________________________________________________
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7-day unconditional guarantee
7-day unconditional guarantee
7-day unconditional guarantee
Your money back, no questions asked, up to 7 days after purchase.
Your money back, no questions asked, up to 7 days after purchase.
Your money back, no questions asked, up to 7 days after purchase.
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____________________________________________________________________________________________________________________________
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Follow us!
Follow us!
Follow us!
FREQUENTLY ASKED QUESTIONS:
FREQUENTLY ASKED QUESTIONS:
FREQUENTLY ASKED QUESTIONS:
What is the language of the audio and subtitles [CC]?
What is the language of the audio and subtitles [CC]?
What is the language of the audio and subtitles [CC]?
The course is narrated in Portuguese and has subtitles in English, Spanish, French, Italian, Dutch, German, and Portuguese.
New languages may be added later.
The course is narrated in Portuguese and has subtitles in English, Spanish, French, Italian, Dutch, German, and Portuguese.
New languages may be added later.
The course is narrated in Portuguese and has subtitles in English, Spanish, French, Italian, Dutch, German, and Portuguese.
New languages may be added later.
What are the minimum computer requirements? [IMPORTANT]
What are the minimum computer requirements? [IMPORTANT]
What are the minimum computer requirements? [IMPORTANT]
It's important that your computer can comfortably handle Blender and Adobe Substance Painter. We'll be working with real-time sculpting and texturing, so read this section carefully for a smooth experience.
Below is a brief performance analysis, considering the two most hardware-demanding steps: sculpting and texturing.
SCULPTING (Blender): In this step, if your computer doesn't perform well in Blender's Sculpt mode, you can use other sculpting alternatives, such as ZBrush. This software allows for good performance (even with a large number of polygons) on less powerful computers. In this case, I recommend sculpting the model in ZBrush and exporting an .OBJ file to Blender and proceeding with the following steps (many artists use this workflow).
TEXTURING (Substance Painter): It's important that your computer meets the minimum requirements for Adobe Substance Painter. You can consult this at:
https://helpx.adobe.com/substance-3d-painter/getting-started/system-requirements.html
Regarding the computer I used for the workflow presented:
The entire workflow for creating this course was recorded on a machine with the following configuration:
i7 4770 - 32GB RAM DDR3 1600MHz - RTX 2080 8GB (yes, it was a somewhat old configuration). Below is a brief analysis of this configuration:
>> Processor: most current processors will perform well. I used an i7 4770, and it's quite old, so most current PCs probably have something faster.
>> RAM: 16GB is the minimum amount I recommend. The more, the better, obviously. Especially for the sculpting stage. For the Velociraptor, I used a PC with 32GB of RAM, but if you have less, you can work with lower subdivision levels or use ZBrush to sculpt and then continue the following steps in Blender. I've created beautiful works sculpting with 16GB, just by reducing the subdivision levels in Blender and optimizing the workflow as much as possible. But, as I said, I recommend using ZBrush if you have performance issues when sculpting in Blender.
>> GPU: To follow the course, your PC must have a GPU installed. Regarding my GPU, I used an RTX 2080 to create the Velociraptor. It's a somewhat old card, but it still gets the job done. Most current GPUs are more powerful than it. I don't recommend AMD GPUs, as unfortunately AMD doesn't have the same technologies that NVIDIA offers for professional 3D software.
If you have any questions about your machine's capabilities, even before purchasing the course, please contact me so I can analyze your configuration.
It's important that your computer can comfortably handle Blender and Adobe Substance Painter. We'll be working with real-time sculpting and texturing, so read this section carefully for a smooth experience.
Below is a brief performance analysis, considering the two most hardware-demanding steps: sculpting and texturing.
SCULPTING (Blender): In this step, if your computer doesn't perform well in Blender's Sculpt mode, you can use other sculpting alternatives, such as ZBrush. This software allows for good performance (even with a large number of polygons) on less powerful computers. In this case, I recommend sculpting the model in ZBrush and exporting an .OBJ file to Blender and proceeding with the following steps (many artists use this workflow).
TEXTURING (Substance Painter): It's important that your computer meets the minimum requirements for Adobe Substance Painter. You can consult this at:
https://helpx.adobe.com/substance-3d-painter/getting-started/system-requirements.html
Regarding the computer I used for the workflow presented:
The entire workflow for creating this course was recorded on a machine with the following configuration:
i7 4770 - 32GB RAM DDR3 1600MHz - RTX 2080 8GB (yes, it was a somewhat old configuration). Below is a brief analysis of this configuration:
>> Processor: most current processors will perform well. I used an i7 4770, and it's quite old, so most current PCs probably have something faster.
>> RAM: 16GB is the minimum amount I recommend. The more, the better, obviously. Especially for the sculpting stage. For the Velociraptor, I used a PC with 32GB of RAM, but if you have less, you can work with lower subdivision levels or use ZBrush to sculpt and then continue the following steps in Blender. I've created beautiful works sculpting with 16GB, just by reducing the subdivision levels in Blender and optimizing the workflow as much as possible. But, as I said, I recommend using ZBrush if you have performance issues when sculpting in Blender.
>> GPU: To follow the course, your PC must have a GPU installed. Regarding my GPU, I used an RTX 2080 to create the Velociraptor. It's a somewhat old card, but it still gets the job done. Most current GPUs are more powerful than it. I don't recommend AMD GPUs, as unfortunately AMD doesn't have the same technologies that NVIDIA offers for professional 3D software.
If you have any questions about your machine's capabilities, even before purchasing the course, please contact me so I can analyze your configuration.
It's important that your computer can comfortably handle Blender and Adobe Substance Painter. We'll be working with real-time sculpting and texturing, so read this section carefully for a smooth experience.
Below is a brief performance analysis, considering the two most hardware-demanding steps: sculpting and texturing.
SCULPTING (Blender): In this step, if your computer doesn't perform well in Blender's Sculpt mode, you can use other sculpting alternatives, such as ZBrush. This software allows for good performance (even with a large number of polygons) on less powerful computers. In this case, I recommend sculpting the model in ZBrush and exporting an .OBJ file to Blender and proceeding with the following steps (many artists use this workflow).
TEXTURING (Substance Painter): It's important that your computer meets the minimum requirements for Adobe Substance Painter. You can consult this at:
https://helpx.adobe.com/substance-3d-painter/getting-started/system-requirements.html
Regarding the computer I used for the workflow presented:
The entire workflow for creating this course was recorded on a machine with the following configuration:
i7 4770 - 32GB RAM DDR3 1600MHz - RTX 2080 8GB (yes, it was a somewhat old configuration). Below is a brief analysis of this configuration:
>> Processor: most current processors will perform well. I used an i7 4770, and it's quite old, so most current PCs probably have something faster.
>> RAM: 16GB is the minimum amount I recommend. The more, the better, obviously. Especially for the sculpting stage. For the Velociraptor, I used a PC with 32GB of RAM, but if you have less, you can work with lower subdivision levels or use ZBrush to sculpt and then continue the following steps in Blender. I've created beautiful works sculpting with 16GB, just by reducing the subdivision levels in Blender and optimizing the workflow as much as possible. But, as I said, I recommend using ZBrush if you have performance issues when sculpting in Blender.
>> GPU: To follow the course, your PC must have a GPU installed. Regarding my GPU, I used an RTX 2080 to create the Velociraptor. It's a somewhat old card, but it still gets the job done. Most current GPUs are more powerful than it. I don't recommend AMD GPUs, as unfortunately AMD doesn't have the same technologies that NVIDIA offers for professional 3D software.
If you have any questions about your machine's capabilities, even before purchasing the course, please contact me so I can analyze your configuration.
Is it lifetime access?
Is it lifetime access?
Is it lifetime access?
Yes. After purchasing the course, the Hotmart platform guarantees lifetime access, so feel free to learn at your own pace. You can go back and watch whenever you want.
Yes. After purchasing the course, the Hotmart platform guarantees lifetime access, so feel free to learn at your own pace. You can go back and watch whenever you want.
Yes. After purchasing the course, the Hotmart platform guarantees lifetime access, so feel free to learn at your own pace. You can go back and watch whenever you want.
When will I have access to all the chapters and new lessons?
When will I have access to all the chapters and new lessons?
When will I have access to all the chapters and new lessons?
The chapters are released gradually in three stages:
1) Immediately after purchasing the course, the following chapters are available:
> Blocking
> Basemesh
> Retopology
> UV mapping
> Teeth and Claws
> Sculpt
> Bake
2) 8 days after purchase, the second stage will be available, with the following chapters:
> Texturing (Substance Painter)
> Eye & Nictitating membrane
3) 16 days after purchase, the third stage will be available, with the following chapters:
> Creating Feathers
> Geometry Nodes and Plumage
> Rigging
Bonus classes will be added according to dates announced on the platform and social media.
The chapters are released gradually in three stages:
1) Immediately after purchasing the course, the following chapters are available:
> Blocking
> Basemesh
> Retopology
> UV mapping
> Teeth and Claws
> Sculpt
> Bake
2) 8 days after purchase, the second stage will be available, with the following chapters:
> Texturing (Substance Painter)
> Eye & Nictitating membrane
3) 16 days after purchase, the third stage will be available, with the following chapters:
> Creating Feathers
> Geometry Nodes and Plumage
> Rigging
Bonus classes will be added according to dates announced on the platform and social media.
The chapters are released gradually in three stages:
1) Immediately after purchasing the course, the following chapters are available:
> Blocking
> Basemesh
> Retopology
> UV mapping
> Teeth and Claws
> Sculpt
> Bake
2) 8 days after purchase, the second stage will be available, with the following chapters:
> Texturing (Substance Painter)
> Eye & Nictitating membrane
3) 16 days after purchase, the third stage will be available, with the following chapters:
> Creating Feathers
> Geometry Nodes and Plumage
> Rigging
Bonus classes will be added according to dates announced on the platform and social media.
What is a digital Certificate of Completion and how does it work?
What is a digital Certificate of Completion and how does it work?
What is a digital Certificate of Completion and how does it work?
Some online courses offer a digital certificate of completion. Students can issue this certificate at the end of the course or by contacting the instructor. These certificates can be shared on social media such as LinkedIn and included in resumes.
Some online courses offer a digital certificate of completion. Students can issue this certificate at the end of the course or by contacting the instructor. These certificates can be shared on social media such as LinkedIn and included in resumes.
Some online courses offer a digital certificate of completion. Students can issue this certificate at the end of the course or by contacting the instructor. These certificates can be shared on social media such as LinkedIn and included in resumes.
How do I access the product?
How do I access the product?
How do I access the product?
You will receive access via email. The content can be accessed or downloaded through a computer, mobile phone, tablet, or other digital device. You can also access the purchased product on this page:
01 - Log in to Hotmart by clicking 'Log in'
02 - Access the side menu, click on 'My account'
03 - Click on 'My purchases' and there you will find all the products you have already purchased!
You will receive access via email. The content can be accessed or downloaded through a computer, mobile phone, tablet, or other digital device. You can also access the purchased product on this page:
01 - Log in to Hotmart by clicking 'Log in'
02 - Access the side menu, click on 'My account'
03 - Click on 'My purchases' and there you will find all the products you have already purchased!
You will receive access via email. The content can be accessed or downloaded through a computer, mobile phone, tablet, or other digital device. You can also access the purchased product on this page:
01 - Log in to Hotmart by clicking 'Log in'
02 - Access the side menu, click on 'My account'
03 - Click on 'My purchases' and there you will find all the products you have already purchased!
How does the 'Warranty Period' work?
How does the 'Warranty Period' work?
How does the 'Warranty Period' work?
The Guarantee Period is the time you have to request a full refund of the amount paid for your purchase if the product is not satisfactory.
The Guarantee Period is the time you have to request a full refund of the amount paid for your purchase if the product is not satisfactory.
The Guarantee Period is the time you have to request a full refund of the amount paid for your purchase if the product is not satisfactory.
Copyright ©
Todos os direitos reservados.
Copyright ©
Todos os direitos reservados.
Copyright ©
Todos os direitos reservados.
